Anne Francis Scott is a Readers’ Favorite award finalist author in paranormal fiction. She has a fascination for haunted houses, ancient cemeteries, and ghostly mysteries with a twist–passions that fuel her writing, giving her the chance to take readers to an otherworldly place and leave them there for a while. She hopes that journey is a good one…
At the bottom of that page, you’ll find the recording of her interview with Real Paranormal Activity – The Podcast, where she talks (okay, maybe rambles a little) about some of her personal paranormal experiences.
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Lost Girl captures perfectly the sense of eeriness of a big old and deserted house stuck out in the backwoods of nowhere. The central character, Alison, has had a troubled past and is still fragile from personal loss and recent events, and has moved there from the city for a fresh start and to find solitude and peace and quiet for her work as a sculptor.
I’m not totally swayed by notions of the paranormal and was therefore glad not to have had to suspend my disbelief right from the offset. The story starts off quite sedately, giving the reader some insights into Alison’s character and situation. From then on though, the author slowly builds the tension and sense of unease with lots of little-unexplained things, some of which she tries to write off as her imagination. There are too many pieces to the puzzle for it all to be coincidence though and she soon suspects there’s a lot of history in her new house, much of it connected directly to her, but how or why is a mystery.
I also enjoyed that the paranormal aspects of the story were intertwined with living people and more earthly bound motives, events, and mystery, which for me, made this chilling story all the more credible, allowing me to put aside any initial scepticism I have about the paranormal. Although there was an element of horror too, it wasn’t overdone; the strength and quality of Lost Girl come more from the sense of atmosphere and genuine fear it creates as the story progresses rather than adding unnecessary blood and gore, though what there was of that blended seamlessly into the overall story. Writing-wise, there was good dialogue and characterisation throughout but without padding out the peripheral characters, all of which played their part in adding to the overall picture.
Lost Girl is an excellent stand-alone story but clearly leaves enough doubt and speculation at the end to provide a solid foundation for book two in what will eventually be a trilogy. Book Two has now been added to my reading list, and if its anywhere near as good as the first, then I’ll definitely be adding book three when it comes out.
See HERE for Anne Francis Amazon author page